Deft Enough?
To the Editors: I was taken aback by the remark in Michael Kazin’s otherwise excellent review [“Ending the Kennedy Romance,” NYR, May 27] that “[Kennedy’s] only...
To the Editors: I was taken aback by the remark in Michael Kazin’s otherwise excellent review [“Ending the Kennedy Romance,” NYR, May 27] that “[Kennedy’s] only...
To the Editors: It was very encouraging to see a review of two important books dealing with opera scenography [Larry Wolff, “Phantasms of the Opera,” NYR,...
One morning a few years ago, as I entered the York Street subway station in Brooklyn, a friendly young woman handed me a promotional T-shirt from...
To the Editors: Andrew Delbanco, in his review of David Mikics’s Stanley Kubrick: American Filmmaker [NYR, May 13], makes reference to several obsessions of Kubrick which...
To the Editors: I was taken aback by the remark in Michael Kazin’s otherwise excellent review [“Ending the Kennedy Romance,” NYR, May 27] that “[Kennedy’s] only...
To the Editors: It was very encouraging to see a review of two important books dealing with opera scenography [Larry Wolff, “Phantasms of the Opera,” NYR,...
To the Editors: Andrew Delbanco, in his review of David Mikics’s Stanley Kubrick: American Filmmaker [NYR, May 13], makes reference to several obsessions of Kubrick which...
1. A guilty pleasure—that’s what true crime is said to be, by everyone from avid fans to literary scholars. A recent article called “The Ethical Dilemma...