Dynamism, Domesticated

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  • February 17, 2022
“A decent home, a temperate climate, and a moderate nation. It has its disadvantages in art,” Nikolaus Pevsner observed in 1955. The moderate nation was England, the German-born Pevsner’s adopted home, a place that had fostered no Michelangelo, no Titian, no Rembrandt, no Dürer or Grünewald. There are no vast compositions in the churches, and […]

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