Skytrain to Stratford-upon-Avon

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  • January 15, 2022
“There are moments in The Tragedy of Macbeth when Shakespeare and the Coens feel in perfect alignment,” writes James Shapiro in “Shakespeare Noir,” his review of Joel Coen’s new film from our January 13 issue. The essay examines the history of filmed adaptations of Macbeth, and how each responded to the play and to its own time, […]

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