The Oversoul Speaking to the Undercarriage

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“The danger of memory is going / to it for respite,” Diane Seuss writes in her poem “Weeds,” from the Review’s June 23, 2022, issue. This bracing advice is characteristic of a poet who often favors, in collections from It Blows You Hollow (1998) to this year’s Pulitzer Prize–winning frank: sonnets, a present tense and […]

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